Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Leonardo Da Vinci
Portrait of Ginerva de'Benci

ID: 01093

 Leonardo  Da Vinci Portrait of Ginerva de'Benci
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 Leonardo  Da Vinci Portrait of Ginerva de'Benci


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Leonardo Da Vinci

  Related Paintings of Leonardo Da Vinci :. | Virgin and Child with St Anne | La Gioconda (The Mona Lisa) | Portrait of Cecilia Gallarani | Christ's Head | The Battle of Anghiari |
Related Artists:
Il Pordenone
(c. 1484 - 1539), was an Italian painter of the Venetian school, active during the Renaissance. Vasari, his main biographer, identifies him as Giovanni Antonio Licinio. He was commonly named il Pordenone from having been born in 1483 at Corticelli, a small village near Pordenone in Friuli. He ultimately dropped the name of Licinio, having quarrelled with his brothers, one of whom had wounded him in the hand; he then called himself Regillo, or De Regillo. Others say he once took up his maternal name of Cuticelli[1] His signature runs Antonius Portunaensis, or De Portunaonis. He was knighted as a cavaliere by Charles V. As a painter, Pordenone was a scholar of Pellegrino da San Daniele, but a leading influence of his style was Giorgione; the popular story that he was a fellow-pupil with Titian under Giovanni Bellini is false. It was claimed that Pordenone's first commission was given him by a grocer in his home town, to try his boast that he could paint a picture as the priest commenced High Mass, and complete it by the time Mass was over; he completed the picture in the required time.[2] The district about Pordenone had been somewhat fertile in capable painters; but Pordenone is the best known, a vigorous chiaroscurist and flesh painter. The 1911 Britannica states that "so far as mere flesh-painting is concerned he was barely inferior to Titian in breadth, pulpiness and tone". The two were rivals for a time, and Licinio would sometimes affect to wear arms while he was painting. He excelled in portraits; he was equally at home in fresco and in oil-color. He executed many works in Pordenone and elsewhere in Friuli, Cremona, and Venice; at one time he settled in Piacenza, where one of his most celebrated church pictures, St. Catherine disputing with the Doctors in Alexandria is located; the figure of St. Paul in connection with this picture is his own portrait.
Henry Allport
(1788-1854)
mattsleiderstam
Adolf Ludvig Stierneld, född den 1 september 1755 i Stockholm död den 31 juli 1835 på Gripsholm, var en svensk friherre, politiker, hovman och samlare av historiska dokument, vilken av senare historisk forskning avslöjats som en av Sveriges mest förslagna och produktiva dokumentförfalskare. Stierneld var son till Samuel Gustaf Stierneld, vilken var chef för Västmanlands regemente, och vilken lär ha antecknat sitt regemente bland den nyföddes faddrar. Sonen inskrevs även endast sex månader gammal som volontär i samma kår. Oaktat denna militärståtliga början hann sonen ej längre än till ryttmästare vid livregementet, vartill han utnämndes 1781. Inom hovet anställdes Stierneld som kammarherre hos drottning Sofia Magdalena 1778. Han kom dock snart på mindre vänlig fot med Gustav III och tillhörde vid 1786 och 1789 års riksdagar ledarna för oppositionen inom adelsståndet. När kungen beredde sig att genomföra sina envåldsplaner, hörde Stierneld till de motståndare som arresterades. Till följd av sina förbindelser med ryske ministern hade han åsamkat sig konungens synnerliga ovilja, och när de övriga arresterade frigavs, sändes Stierneld till Varbergs fästning, där han kvarhölls till 1790. Genom sitt 1790 ingångna giftermål med grevinnan Kristina Charlotta Gyldenstolpe, dotter till Gustav III:s gunstling Nils Philip Gyldenstolpe, kom Stierneld snart åter på mera vänlig fot med hovet och blev 1792 överkammarherre. Vid riksdagen 1800 sågs han också, i likhet med andra ur 1789 års opposition (Magnus Fredrik Brahe, Claes Axel Lewenhaupt med flera) i hovpartiets främsta led.






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